Since the entire medina (old city neighborhood) of Fes is an official UNESCO World Heritage Site, motorized transportation inside the gates is prohibited. Hence, donkey, mule, horse, and push-cart courier services abound throughout the windy, narrow streets of the medina. Plastic mats, cases of Coca-Cola, bags of cement, construction materials - you name it - all clomp by on the backs of pack animals. Which makes the general lack of instances of collision miraculous!
I feel overwhelmed with reflection after such a packed day in what was our first big-city experience here in Morocco. Throughout the day, the city’s vibrancy, its beauty and historical importance, and its overwhelming poverty struck me. As we wandered the souqs, we saw evidence of the 45% city-wide unemployment rate – men and women with children squatting and sitting in the narrow streets with their palms up, looking for change; young men trying their best to assert their importance as guides or helpers; others trying to lure us towards their shops, hotels, or restaurants; and children, always seemingly away from direct adult supervision, running alongside asking for a few dirham.
we tourists wander the souq (marketplace)
Wandering as a group of twelve, donning foreign clothing, backpacks, and expensive cameras around our necks, we were clear targets of “western wealth” and I couldn’t really blame any of the people who approached us. I am always interested in the way people approach groups of tourists and the tactics they try. Linguistically, we heard strings of “bonjour, salut, hello, hola,” and even, sometimes, “konichiwa!” While there was little gender-based harassment, I heard a man sitting with a friend at a cafĂ© call out “eh, spice girl!” in my direction, which was an annoying (yet nostalgic) reminder of the way shopkeepers often approached Western women in Turkey (which happened a lot, traveling around in a group of ten females). It’s interesting that foreigners, despite the individualities of their appearance, resonate with culturally conflated themes (ie: I look nothing like any of the spice girls, nor do my Singaporean friends on the trip have any Japonese heritage). More depressing evidence that people have a tendency to generalize.
scarves hanging in the souq, along a rare uncrowded patch
fes is a city well-known for its pottery
While most people in the souq kept their physical distance and shoulder-brushing happened rarely despite the cramped quarters of the narrow streets, a few men grabbed an arm of someone in the group and some attention tactics superseded the usual following and verged on verbal harassment. Our professor had a merchant following him, asking (in English) if he needed a guide for about twenty minutes until he finally ended up having to pay him off in order to get him to leave. Some of us asked people if we could take photos of them, or paid a few dirham in exchange – especially in the case of children. This brought on what I imagine is a common ethical dilemma....
Touristic photography is something I have mixed feelings about. Many of us felt the urge to constantly snap photos throughout the day – of buildings, trinkets, people, signs, streets, animals, entryways, anything and everything we came across. This urge seems normal and human to me, but at the same time I can’t help but question what exactly it is about a situation that makes me want to photograph it. Is it the assurance that, with a visual reminder, I will remember it later (I do have an awful memory)? The promise of a cultural catalogue of the many places I visit? The allure of situations I have not been in before and the desire to capture them on film? Or is it simply the desire to monumentalize the beauty that I see? A friend on the trip mentioned that most American amateur photographers set out and, in urban settings, end up taking countless photographs of the homeless people they encounter. He attributed this partly to the allure of the “other,” the perception that there is “depth” in poverty, and the simple fact that, often times, people living on the street are surrounded by interesting colors and textures that entice an artistically-inclined eye. This can be compared, I think, to the tourist-photographer.
The danger of photography, to me, is its invasiveness. When done thoughtfully, photography can be an inspirational and aesthetic mode of sharing an intimate experience. When done unthinkingly, it can be an unkind, invasive, and otherizing practice. So my unease continues....
Moral dilemma: to take or not take the photo? These children were studying (they were all singing a song when we saw them) at a very small Quranic primary school in the middle of the souq (Literally no bigger than a standard, American walk-in closet, with three desks, six students, two female teachers, a chalk board full of Quranic verses, a couple religious posters, and "Ahlan bikum" (Welcome) written on the concrete wall under a bright yellow painting of the Disney character Goofy). Teachers encourage tourists to peek in, take photos, and leave money in exchange (one of the ways the school is funded, I'm sure). The circumstances + the incredible smile on the little girl(in the center - who I had been waving to and smiling at throughout my entire "peek")'s face at the sight of my camera convinced me to take this one photo. Even so, after snapping, I felt like I had lost a piece of my soul...

A man sells sweets outside the Sufi shrine of Moulay Idris II, which are meant to bring sanctity and prosperity to the recipient who consumes them. Idris II was Idrisid king from 803-828 CE and his shrine was constructed many years later, upon the accidental encounter (during reconstructions/renovations), it is told, of his fully preserved body. People still venerate the shrine of the once-king and salah (pious person who has "befriended God," which is often evidenced even posthumously, as in cases of the body being found intact).
Our trip to Fes was colored primarily by its markets (souqs) and the bustle that enveloped us throughout the city. A group of us had the opportunity to visit the “new city,” the Madinat al-Jedida, which developed in the 13th century. An important part of this side of town is the milleh, what was once a flourishing Jewish neighborhood. Much of Fes’ once-large and fully integrated Jewish community left after the 1967 Israeli war, after Jewish-Muslim tensions heightened and many families no longer felt comfortable in the country. The AUI professor guiding us emphasized that the Moroccan government had never upheld a persecution or expulsion policy (Judaism had been prevalent and incorporated throughout distant regional history), but that as the religio-political climate shifted, Jewish families opted to move elsewhere (many to Canada and, later, Israel). Today, the government stresses its history of “tolerance”, citing especially the policy of embracing large numbers of Jews (and Muslims) who had been expelled from Spain in the late 15th century. Dr. S (our professor-guide) mentioned that some of his students collected research on empirical sentiment towards Jews and found that it was aligned generationally – those who were old enough to remember living amongst Jewish communities spoke of them with warmth, and those youngest generations (with very little direct contact to Jewish communities) spoke with disdain and often hate towards Moroccan Jews. He mentioned that these younger perspectives were colored by sentiment towards Israel and Israeli policy more than any deep understanding of Judaism or Moroccan jewishness.
remnants of the milleh - the French-inspired homes of Jewish families, most of them distinguishable by their outside, open balconies -- apparently, the Jewish neighborhood was once marked by the distinctive light blue paint everywhere - on shutters around windows, walls, etc..
the view of the synagogue's interior from the women's prayer balcony
The caretaker of the small, restored Orthodox Synagogue Aben Danen greeted us warmly upon entry, seeing us into the space through a slightly mismatched door. It was clear that he had been sleeping on a bench nearby, a small pillow for his head and a light blanket covering the wooden surface. While we wandered and toured the space with Dr. S, he stood nearby, listening and occasionally chiming in with welcoming bits as he saw fit – “come, sit sit,” “watch your head,” “torah here” – trying to, I assumed, enhance our understanding and enjoyment of the space. The synagogue has been recently (1993, I think) renovated per private initiative and it is rarely used, since the community has shrunk so significantly (only about 100 Jewish families still live in Fes, and the total national community is about 5,000 families), except as a historical site and museum. Inside, there is a beautiful torah, a women’s gallery, an underground space for the traditional bathing of the bride before wedding ceremonies, and a series of framed, modern photographs of sites of Jewish religious importance around Morocco.
posing on the roof of the synagogue
On the roof of the synagogue we found a spectacular view of the Jewish cemetery below and different parts of Fes. Above the cemetery is the so-called “Sanitary Zone,” planted by the French colonizers as a way to physically separate the older, autochthonous Moroccan city spaces from the new, “civilized” French-initiated spaces. Looking at it, I wondered why it still stands – a reminder of French colonial perceived-superiority – empty except for scattered trees, instead of having been destroyed or developed. It is still militarized, a government zone, and an interesting historical symbol.
view on the roof - the "Sanitary Zone" above and Jewish cemetery, with its distinctive graves, in the foreground
Our day in Fes, overall, continued in me a curiosity in the politics of space – the way it is organized, compartmentalized, occupied and re-occupied, and the many symbols (intentional and unintentional) within.
Coca-Cola delivery might seem a little out of place here in the old city...
One of the many "Taxi Sghir" whizzing around the city. In Morocco, each city has its own Petit Taxi color scheme. We took one back up to meet the group at the end of the day - our driver was extremely nice and told me all about the Fesi weather patterns (very hot in the summer, but not too much humidity - when it's humid, you feel disgusting, like you're bathing in sweat and can't get clean. The heat, unusually, took a while to set in and just started in early June this year.)
I posted many of my photos (and more explanation!) on my Flickr site (the link is to the left), and will continue to do so - feel free to explore...